probably was not the first script I read, but it sure is the first studied.
Syd Field, this heavy Writer who writes manuals like hotcakes, which I use to defend why I have not read my tome of Robert McKee if you read me a Black and Snyder Field, full and neither I like ( now I'm reading a Rafael Azcona, to see if national product return my faith in books on screenwriting and screenwriters), as I said, that Mr. analyzed in booklet, almost word for word, they say one of the most perfect scripts history Chinatown.
If man Chinatown, Polanski's, the Jack Nicholson when he was handsome and Faye Dunaway when she was not operated. The John Huston-faced villain. For such a script I had to study in college and in the master. With reason. It's a perfect scenario. I remember seeing the movie rented from a video that does not exist (perhaps it is any other than Netflix?) And end up thinking "Wow" (yes, I know that we weakened the capacity LOGSE linguistic and things define onomatopoeia or cool "). For the
Monday came the author, Robert Towne, school to give a talk. A venerable gentleman, not as funny as the writer of The Graduate and What's Up, Doc? , but equally wise. Of the ten thousand things to tell, many of which answers to pointless questions I was left with two important.
First, he defined the script as " perfect blend of journalism and poetry ." He justified this statement by saying you need the detail and the likelihood of an article and conciseness of a poem.
And the second was that said that what keeps him writing at his age is the fascination for all around him.
That reminded me that hours earlier had explained Juliette Lewis also spoke at the school (our visits are cool, yes, sir).
When questioned by the method used to act, she said she observes a lot of notes going around and taking things from one place and another. To prepare the diminished role of Learning to Live in was set in both people with mental retardation in the development of motor skills in his niece two years. Found that mixing a little here and there, his performance became more realistic and believable.
say that I remember both responses I did because the synthesis is that, whether we weigh, to any artist (yes, I'm like Bisbal, I think an artist) you have to keep calling attention to the world. The writer can not distance themselves from reality.
who writes, and this I will tell you in another article, you can not miss the detail that, in the hotel at the conclusion of a suite with expensive gifts to players who are already wealthy, the cleaners, immigrants, of course, work twelve hours a day, seven days a week.
No life can escape us.
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